1
10
1
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https://d1y502jg6fpugt.cloudfront.net/34789/archive/files/1f33374e94295a5f8e927b091725a9ab.pdf?Expires=1712793600&Signature=meNoAzpYk3K19R63W0RKJlskVTUT3oZICfhHQtIwo9iCh4LuKqxKL2rKVKBM0iZ044kQNmNNxIXHAn6CPl%7EKRiEXFgdSSuEsFjqU%7EKpyZ3VfkY6ZsumPzMQDzL1tIJJdwaMKkIWYhdMRJk%7EjemScyEG98KdQvjTU4CAzNGMW3NxICfq5dHMTSPgvV6aUADujQ-fSHKnZhdb5ieIpMu-BUhDgFqFyMHlc2m5UqSqK3wLbsPH%7E3TwR2vf-ZFGWwBg7I6SxIi8FLsvnujtZLZyYCQFksS81WOS04QQWtJHsZ6Q7LxEI1tuGClHS-Oh1U7ZyRIuNoZz60d7FytDwWFe-EQ__&Key-Pair-Id=K6UGZS9ZTDSZM
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Dublin Core
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Title
A name given to the resource
<em>Green Lantern: Mosaic</em> <em>#1</em> [Cover]
Description
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* Only black person (or person of color) involved with issue
* Descrepancy in artwork
* Positioning of John Stewart
* colors
Format
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25.7 x 14.3 cm
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
https://d1y502jg6fpugt.cloudfront.net/34789/archive/files/95f5b608db73e16b576991b07a75892f.jpg?Expires=1712793600&Signature=DLEmPyFwohLivWu-SUEJ7Q8rR2UKYJQlFPjEhdQm2kgMG9kMIGQ1d-S59G6ye4eTsymrwHuhe4nRJjEyN2zz2TLmhkhsNp7SI6wN03OrDnN13Jru4Veh8N5uoZvHeFmrfmYI1Vus2AQbjXWTvHcbIUZerROxh85UtCOGYNojnaw-EqBfjFcFBIXVDO7VIkH%7ExIgLtUmZCM55pnbclL71ITiav8rw8ZKURr-LBs1aJkT2zCXD7PkD0LguHNIwqWohw4oU2FzYLt%7E6TJMOm-1CS-kPRShX71z87lTOBm-lam6jpVWSCo2Do45cqcdiuwwQ83xJQjNSIouoVU5JhCaLwg__&Key-Pair-Id=K6UGZS9ZTDSZM
8e50275dbc53bfe34feb30ad2e4eba6c
Dublin Core
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Title
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<em>Green Lantern: Mosaic</em> <em>#1</em> [Page 1 (full page)]
Format
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26.0 x 16.7 cm
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
https://d1y502jg6fpugt.cloudfront.net/34789/archive/files/f601e95ebdd657584e1dc521650d1446.jpg?Expires=1712793600&Signature=v1%7EHoQckcHo%7E%7EL2lIUlAan-q3NahtKAitcLK7I7OvhctwI8hgh6W8z2xBW3cBWnlxQg8m8i24FGygRq-JHgF078zBzXJXQ3Tod5wCiKFWNa8oZJ4sxgnsXUbcky7xsKcczlBuBJRg8CtVokjyKhkbYSIE0zHVl6IAUjMRMFjZ0Wi6xnz6c57uDv4fP1C6LkZGe1rIQ5qnlcFmgGr1jCsLV5niqhl1pJcSVoaGtvkO1K2rLtW44FSiefcuzo9Rzqm183WhySzvFVWtyYr%7EFlX1IpxQdn9EzCBic5Ym3Tw7P54AAavsyJW5xURbpWgLXEZCVkMauUJ83tnlsXsZdcfnw__&Key-Pair-Id=K6UGZS9ZTDSZM
c55eeee72273d6ba55d9a1dc9253d948
Dublin Core
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Title
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<em>Green Lantern: Mosaic</em> <em>#1 </em>[Pages 12 and 13]
Format
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26.4 x 33.0 cm
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
https://d1y502jg6fpugt.cloudfront.net/34789/archive/files/5f7958842a68d7d7a6b68dd5db09309e.jpg?Expires=1712793600&Signature=dC-aIZ0L4y9tBVMiDkLXt1UrvSpyeeqtnMpUotA0m2nZFXUASdq83pL6i9sMkB0fUPfvtFs8dAdLrl2kUOEvQoiMhCE3ILnHeCMzKBFPM6zcLA-KGTG5gmF2bTqz4Oerug8cDD1OrUmTQmMNojdp0a6E6RzkOrMPvve7XedKqijRmjAMKOBn0p4AvrLSKQLiLrrudEnYDP7oVKlTC-s-n5LiBo%7Ec6U7aMB848zG-SfHq-H9f69kN6LMGhqswdG9VRGT2lFsECxE31T36-ZSKcfOMQZIEA5S2k8MRmqs78Nnhlsoy09jx9J9mNDpOJyElAmwSOw6hfnM4B4LL6v%7EY6Q__&Key-Pair-Id=K6UGZS9ZTDSZM
b5d0329d2db88e8f0a312d24c9010ed2
Dublin Core
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Title
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<em>Green Lantern: Mosaic</em> <em>#1 </em>[Page 19 (full page)]
Format
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26.0 x 16.7 cm
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
https://d1y502jg6fpugt.cloudfront.net/34789/archive/files/f11fc6fafb3da84f0a84e0f5f17ca64a.png?Expires=1712793600&Signature=dVkNFAXb5nBZ47qNyK8Sy6I3PD2hKWLvvi8RyUHlUf8aL5hQhIY-7LQY6xfSaScYdBJP3DLjPruXnNhtFe35Yv8BXcTNud1ZuGrgjenEEW31N5wGxMuxzaqzEoCmt1FQBsvZ7hQ9MtUj%7ER5kVyhBF5V7Xe6ZznGaxxiMn0fP9dDx5WTtz3ms0Cj1%7EglXNzVVgtNmCujf4iqSqgLIprktliw3tyJe0yNF1ZkNtoxMqOBBB9ciUTaiNeos4lbdHH80lvl3tusJTtAgE1%7E2Zt8D974RMebWqJpbxkA6IdzkC-un-5YoWvDAja78Jq1olDU5RahjTo7NtevX%7ENgCtcxxTQ__&Key-Pair-Id=K6UGZS9ZTDSZM
d7b2fe6d8b8758a9ed0204ed86493dc5
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Format
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9.2 x 16.7 cm
Title
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<em>Green Lantern: Mosaic</em> <em>#1</em> [Page 19 (three panels, bottom tier)]
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
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26d078cb0579f169d2492943148e09a0
Dublin Core
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Title
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<em>Green Lantern: Mosaic</em> <em>#1</em> [Page 20 (full page)]
Format
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26.0 x 16.7 cm
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
https://d1y502jg6fpugt.cloudfront.net/34789/archive/files/854893f7a8fe5000b1c9e5340405f52e.jpg?Expires=1712793600&Signature=sXoSw1XkL6ovwKHlUvA%7ENK8ia2GyjQpQZYmTzvmXpsZKQBXGe0Fq6mHwXGZQo0YYLaUDYHizCFx607gtie5nwgP0qojQQU-VfXr9MwL8HCNmN9x00uC%7E-CywtmpJnjCaDE1quWp8LrbHZVQ7GRyxlu5wbILHwWAEpXG4UjtcelQ2TqB5Vdb3LiTZfBU3Q7qyOOSBLQvYI3rdy8388twGVWQj2MdROpZGHQtHGP98C3nV6%7Ep0raZwHf3IhbyVAD-%7Ef0lCph9XSQLp%7ED%7E2ZTWt2j53Rl9gtoAjwWXpA2ZkCo9WItD0SXkHlx3NtLinIcfQqKjQ3shyTD61drpg2SHcbA__&Key-Pair-Id=K6UGZS9ZTDSZM
caf6213e95d6abbde31f8beec072f24d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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<em>Green Lantern: Mosaic</em> <em>#1</em> [Pages 19 and 20]
Format
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26.4 x 33.0 cm
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
https://d1y502jg6fpugt.cloudfront.net/34789/archive/files/24b3761dde85caace5e004a8b71009c7.jpg?Expires=1712793600&Signature=S%7EdmXMRmHwTe7Hi35a47U0zuc%7EJ2zn%7ECMFUArv82u2wVG-TJmWz%7EceE1cH-hIBGsHz32h7SK2XkHQSptYe2mwBL3jqE4GEqSBATR8ATucJ6ytWmUjzjXvev24W9LzuWc08mdjw3MSp4%7EDTZgME11k92aMEISifdAp5w1%7Eu6oq0IPs6pyUvM%7EhBG8z0VIhwk4dXIqN0Dy9iOShmasMM5AlUML1jo-vpFHw5ojLb0bMddyfoO0LeMiTiuK4NJqNVBTmpmqtD5wrYrdvrCFv8x6E40qIIjEbiy0F4DRsY6YapnI1SEs04eUDKG%7E6J7Xb0mWTc48sRAx98b19gxatlFpZQ__&Key-Pair-Id=K6UGZS9ZTDSZM
2e28345edb7a8eb889291464da63d583
Dublin Core
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Title
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<em>Green Lantern: Mosaic</em> <em>#1</em> [Pages 21 and 22]
Format
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26.4 x 33.0 cm
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
https://d1y502jg6fpugt.cloudfront.net/34789/archive/files/f69e98a7cf13c4fd4bc095f84b36c36d.jpg?Expires=1712793600&Signature=a1MyPhA3Kc7I4wxKFaA2RYKWcvuriDnIetKkG9HplaNYg6Ev-BlX1nxN8naRC4k6bMHHSeennkj%7E7-EteIvsswVLqatTg4y55DKvm95ISpv7lEqMoUdNAcQ1%7EU3xYaUrUXzOS2C8Jr1Qui3AAc1xxafWPb-rnA5niQA4pl8IEzGi4sNwy9PbNhGD%7EAuzFAiwo1cKxLJmvkTJtzcAXAFiLpWpVfQgzyyf50mrLMaDj5IzSXDub5gKFzvqSsdlHGdxO%7Ez7bOa2ovogyaEuYZFSSy1ToNxmR8SPpuwhgnsCTncmApeagGE0VLwfDT-t-G%7E8zpu6ZkwtELRSGRiaqVg9Pg__&Key-Pair-Id=K6UGZS9ZTDSZM
da19e58708f28c00b84d63215ba7258c
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Title
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<em>Green Lantern: Mosaic</em> <em>#1</em> [Page 29 (full page)]
Format
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26.0 x 16.7 cm
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
Dublin Core
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Title
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Comics
Description
An account of the resource
Being my medium of academic interest, the comics used for this exhibit outnumber any other media in this exhibit. As such, they warrant their own collection. More than just the quantity of the presence, comics are an important medium when discussing black male representation. Comics use of both images and text for a mass consumer culture makes them accessible to all people: young and old, native speakers and foreigners, rich and poor. It does not cost much to make a comic -- a person just needs paper and a pen, not necessarily computers and crews. From there, a creator can create within the confines of the page and beyond, with only their imagination as their limit. The American Underground Comix and 80s and 90s West Coast Zine movements, as well as today's webcomic and crowdfunding comics, are a testament to the accessibility comic creators and readers have. Their mass consumer price and portability make them easily shared among the masses. Comics are the most democratic of mediums. As such, analyzing how black male bodies are created, consumed, and reproduced in comics is vital to understand black masculinity in culture. <br /><br />My selection criteria (in no particular order) for this collection is as followed: <br /><br /><ol><li>Does the comic offer unique insights to these questions: (a) How are these bodies represented and framed? (b) What are the intentions and effects of these bodies? (c) How can these bodies be received? (d) What are the semiotics of the black male body in this work?</li>
<li>Each comic differs in genre, tone, and art style from the other three.</li>
</ol>
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
Dublin Core
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Title
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<em>Green Lantern: Mosaic</em> <em>#1</em>
Creator
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Writer: Jones, Gerard.
Penciler: Hamner, Cully.
Inker: Panosian, Dan.
Cover Artist: Stelfreeze, Brian.
Publisher
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Author (25 Oct 2017)
Date
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June 1992
Contributor
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<a href="https://comicsverse.com/author/o0rayday0o/" title="https://comicsverse.com/author/o0rayday0o/">Rachel Davis</a>
Type
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Ink on paper
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Hempstead: Hofstra University Library Special Collections
Description
An account of the resource
<p dir="ltr"><span>American comics is a hybrid medium, marrying text and images to tell a narrative. However, within the pages of most American comic narratives is another narrative form -- the advertisement. </span><a href="http://wst198.omeka.net/exhibits/show/black-bodies-black-ink/forever-free-dress-your-best"><span>Michael Ray Charles</span></a><span> believes that the concept of blackness as we know it “was linked to early marketing practices, early advertising” </span><span>(qtd. in </span><span>“Advertising and Art: Michael Ray Charles”</span><span>)</span><span>. That is, the advertisements of centuries pass -- ads selling pancake mix or human slaves -- defined what it means to be racially Black today. Comics are an arena where these two concepts meet. The selling of a mass consumer product within a product displaying and dissecting identity is seen in </span><em>Green Lantern: Mosaic #1</em><span>.</span></p>
<p dir="ltr"><span><span class="Apple-tab-span"> </span></span><span>Throughout the comic, John Stewart is shown less fighting space aliens than himself. Visually, this is seen in such imagery as page 20 (see </span><a href="https://s3.amazonaws.com/omeka-net/34789/archive/files/0f6baba7f02a2e17d3db36c9130376b7.jpg?AWSAccessKeyId=AKIAI3ATG3OSQLO5HGKA&Expires=1515324882&Signature=dgWvPhHujhP9XZmiKlzoYBpvy5Q%3D"><span>Fig. 6</span></a><span>), where the inside of John Stewart’s being is shown. Beneath his Black skin and masculine build lies, among other images, his heart has John himself crucified. A Black man is in the position of Jesus, and his Blackness comes not from the outside, but from within his very heart. John Stewart reaffirms his identity even as he is crucified for it. He sees himself not physically as black, but spiritually, raising the question of what makes a person Black and how blackness is experienced.</span></p>
<p dir="ltr"><em>Mosaic #1</em><span> shows W.E.B. DuBois’s theory of double consciousness. The reader is visually shown how John sees himself through the eyes of others. John Stewart is deconstructing his identity within the panels of the comic. Outside of those panels, the advertisements within the comic tell the reader who this character is -- a commodity.</span></p>
<p dir="ltr"><span><span class="Apple-tab-span"> </span></span><span>In </span><a href="https://s3.amazonaws.com/omeka-net/34789/archive/files/f601e95ebdd657584e1dc521650d1446.jpg?AWSAccessKeyId=AKIAI3ATG3OSQLO5HGKA&Expires=1515325258&Signature=czeYRXdBrCmTctlPpd1wiRf00aQ%3D"><span>Fig. 3</span></a><span>, a full-page advertisement for basketball player cards is on the left of a full-page comic panel. The ad has a (Black male) basketball player in red doing a layaway. His body language -- legs forming a triangular negative space, one arm with a relaxed hand facing downwards while the other is stretched upward -- is a mirror reflection of John Stewart’s pose as he raises his fist in an act of power, green light emanating around him in glory. The two figures face one another as if deliberately meant to play on one another. If so, does that mean the ad’s tagline of “Good Things Come in Small Packages” applies to John? Is the reader supposed to be reminded that this powerful Black man does not exist -- that John Stewart is but a small package of a man? The struggle of his soul is underplayed when the ad draws attention to John’s physicality, a place Blacks are often visually placed </span><span>(Johnson 10). </span><span>In </span><a href="https://s3.amazonaws.com/omeka-net/34789/archive/files/854893f7a8fe5000b1c9e5340405f52e.jpg?AWSAccessKeyId=AKIAI3ATG3OSQLO5HGKA&Expires=1515325316&Signature=dStq3kFjMWeWOKxoikXqpTs%2Bu%2Fg%3D"><span>Fig. 7</span></a><span>, beside the stunning image of John Stewart’s inner being from </span><a href="https://s3.amazonaws.com/omeka-net/34789/archive/files/0f6baba7f02a2e17d3db36c9130376b7.jpg?AWSAccessKeyId=AKIAI3ATG3OSQLO5HGKA&Expires=1515325389&Signature=zOuKLIZPRcEgj%2FVvb1oRIc4aF5s%3D"><span>Fig. 6</span></a><span> is an ad with the tagline “This kid is having an identity crisis.” Can John Stewart’s struggle be summarized so flippantly? Is that the takeaway the reader is supposed to make, or one the advertisement gives? Lastly, </span><a href="https://s3.amazonaws.com/omeka-net/34789/archive/files/24b3761dde85caace5e004a8b71009c7.jpg?AWSAccessKeyId=AKIAI3ATG3OSQLO5HGKA&Expires=1515325438&Signature=lHKYYRu2W0QR2WH00UiwkC0U1zI%3D"><span>Fig. 8</span></a><span> contains an advertisement for a model rocket. Apparently, the rocket is “Easy to Build…” -- does the same hold true for John Stewart? Is a person so easily built? The comic art would seem to say so. The images of rocket shooting off is analogous to John Stewart flying skyward, pink lines trailing behind him to show his ascent. John’s body mirrors the object on sale. He serves the same purpose as the rocket -- to be consumed after purchase. </span></p>
<span id="docs-internal-guid-17ed6d5f-6d25-2a68-d505-38da2b025959"><span>Clearly, the placement of these ads creates a metatextual narrative and distract from the narrative of a Black man exploring his identity. The reader is pulled out of the story of this character to see him for the product he is a part of. Such a narrative is a rarity for the time: </span><a href="http://wst198.omeka.net/exhibits/show/black-bodies-black-ink/rythm-mastr-tower-of-power"><span>Kerry Marshall James</span></a><span> says when explaining his reasoning for creating his “Rythm Mastr” series that “</span><span>the market has somehow never been able to sustain a set of black super heroes [</span><span>sic.</span><span>] in a way that could capture the imagination” (Art21, “‘Rythm Mastr’: Kerry Marshall James”). </span><span>It would seem that DC Comics editorial believed this to be true; hence their cancelling of the series. </span><span>Jones and Hamner confirmed in seperate interviews that DC editorial cancelled the series prematurely at issue 18 despite sales being stronger than the Green Lantern comics starring the white Lanterns (</span><span>Andrew NDB; </span><span>Offenberger). John Stewart’s existential crisis of self -- both as a Black man and a human -- is sold short. The character is objectified and with him is identity as a Black man.</span></span>
Source
A related resource from which the described resource is derived
<ol><li>Art21. “Advertising and Art: Michael Ray Charles.” Art21, PBS, <a href="https://art21.org/read/michael-ray-charles-advertising-and-art/">https://art21.org/read/michael-ray-charles-advertising-and-art/</a>.</li>
<li>Johnson, Charles. “Foreword.” Black Images in the Comics: A Visual History, by Frederik Strömberg, Fantagraphics, 2003, pp. 6-19.</li>
<li>Art21. “‘Rythm Mastr’: Kerry Marshall James.” Art21, PBS, <a href="https://art21.org/read/kerry-james-marshall-rythm-mastr/">https://art21.org/read/kerry-james-marshall-rythm-mastr/</a>.</li>
<li>Andrew NDB. “Interview with Gerard Jones, 07.20.09.” The Green Lantern Corps Message Board, 20 July 2009, <a href="http://www.thegreenlanterncorps.com/forum/showthread.php?t=8719">www.thegreenlanterncorps.com/forum/showthread.php?t=8719</a>.</li>
<li>Offenberger, Rik. “Getting DOWN with Cully Hamner.” Getting DOWN with Cully Hamner: Interviews & Features Archive - Comics Bulletin, Internet Archive, 4 Aug. 2009, <a href="http://web.archive.org/web/20090804112217/http://www.comicsbulletin.com/features/112569591736650.htm">web.archive.org/web/20090804112217/http://www.comicsbulletin.com/features/112569591736650.htm</a>.</li>
</ol>
Format
The file format, physical medium, or dimensions of the resource
Fig. 1: 25.7 x 14.3 cm
Fig. 2: 26.0 x 16.7 cm
Fig. 3: 26.4 x 33.0 cm
Fig. 4: 26.0 x 16.7 cm
Fig. 5: 9.2 x 16.7 cm
Fig. 6: 26.0 x 16.7 cm
Fig. 7: 26.4 x 33.0 cm
Fig. 8: 26.4 x 33.0 cm
Fig. 9: 26.0 x 16.7 cm
advertising
black artists
black bodies
black bodies in comics
black comics
black masculinity
black masculinity in comics
blackness and environment
blackness and history
blackness and nature
comics
green lantern
white artists